Ron Carter: Passion Dance
How to play bar after bar of the same chord without sounding boring. On Passion Dance, Ron Carter plays the chord maybe 40% of the time.
Get it for $10 →Note-for-note lines and solos from Paul Chambers, Ray Brown, Israel Crosby, Ron Carter, Charlie Haden, Jaco and more. Every one comes with a video lesson from Cole Davis, nearly all come with the notation, and each one's $10. Yours to keep.
Every transcription here is a small, complete lesson. You don't just get the notes. You get Cole Davis showing you why they work.
Cole plays the line, then takes it apart: the fingerings, the note choices and why it sounds the way it does. A few are straight performances to play along with.
45 of the 47 come with the transcription to download, many with fingerings written in, some with exercises, tab or a full analysis. Each page lists exactly what's included.
Pay $10 once. It opens in your Better Bass Lessons member portal the moment you check out, and it stays there.

How the legends walk and play in two. Ron Carter on Passion Dance, Paul Chambers all over Kind of Blue, Israel Crosby's genius, three Charlie Haden lines, and Jimmy Garrison's unaccompanied intro to Resolution.
9 lessons 1 hr 48 min of video 13 downloads
How to play bar after bar of the same chord without sounding boring. On Passion Dance, Ron Carter plays the chord maybe 40% of the time.
Get it for $10 →Kind of Blue is famous for its simplicity. Paul Chambers plays the busiest B flat blues line I've ever heard on it, and it works.
Get it for $10 →My favorite bass player of all time, bar none. Three lines that do things I'd stop a student for, and sound like there's nothing hipper.
Get it for $10 →Most Giant Steps bass lines are root, root, root, because the changes are scary. Peter Washington's isn't. This is what he does instead.
Get it for $10 →Sixteen bars of D minor and you're out of ideas. Paul Chambers never is. The tricks he uses to walk modal jazz, from a live So What.
Get it for $10 →The heavyweight champion of bass lines, in a 25-minute deep dive: But Not for Me, You or No One, and a line that sounds like a symphony theme.
Get it for $10 →Jimmy Garrison's unaccompanied intro to Resolution, from A Love Supreme. It's all fourths, it's deceptively hard, and here's how to play it without hurting yourself.
Get it for $10 →Speed up a Paul Chambers bass line and you get a Paul Chambers solo. His solos, his two-feel, a rhythm changes and the wrong notes on So What.
Get it for $10 →You've heard this line a thousand times. Here are five ways to finger it, including the one you can hear Paul Chambers using on the record.
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Cole's series of ten bass lines you should know, from Ron Carter's opening line on The Intrepid Fox (number one) to Israel Crosby on But Not for Me (number ten, and in Cole's opinion the greatest jazz bass line ever played). Short, classic lines, each one teaching one big idea.
10 lessons 1 hr 41 min of video 9 downloads
Ron Carter's opening line on The Intrepid Fox, and the playbook behind every two-bar phrase he plays. Once you know it, you'll hear it everywhere.
Get it for $10 →The heavyweight champion of jazz bass lines, on Ahmad Jamal's Cheek to Cheek. How to sound melodic without leaning on chromatic notes.
Get it for $10 →Paul Chambers was the melodic, rhythmic and harmonic engine of Miles's band. His walking on the bridge of Bye Bye Blackbird shows you how.
Get it for $10 →A bass line so simple you'd think you could have written it. Then you try to play that clearly and find out how hard it is.
Get it for $10 →Maybe the best Giant Steps bass line I've ever heard, and it's built from almost nothing but 1-3-5-7. A 13-minute breakdown.
Get it for $10 →Paul Chambers was one of the great masters of the two-beat. On Bye Bye Blackbird he dresses it up with a few rhythms that make a band feel amazing without knowing why.
Get it for $10 →Percy Heath doesn't make the swing on Blue Haze. He lets it happen around him. How a simple line gave Miles and Horace Silver room to take risks.
Get it for $10 →A Ray Brown line swings before you do anything to it. This lesson shows you where that feeling actually lives in the notes.
Get it for $10 →Four bars of textbook walking to prove he knows the rules, then he ignores every one of them. Charlie Haden with Kenny Barron and Roy Haynes.
Get it for $10 →I consider this the greatest jazz bass line ever played. The whole way I teach walking bass came out of it.
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Time, feel, sound and the two-feel. Percy Heath on Bags' Groove, what keeping time really means (with a tempo map of Ray Brown), how Cole got his sound from Charlie Haden, upright bass on folk records, and a hip-hop sample you've heard a thousand times.
8 lessons 1 hr 9 min of video 9 downloads
Put Ray Brown's line on Have You Met Miss Jones next to a tempo map and it moves every single beat. It's also as swinging as it gets. So what does keeping time mean?
Get it for $10 →Great soloists fall apart on the two-feel. Here's Paul Chambers on Bye Bye Blackbird, and the three things that make a two-feel go somewhere.
Get it for $10 →Speed doesn't come from the left hand. The right-hand exercises I use for fast lines, plus Lennie Tristano's Line Up to put them to work.
Get it for $10 →Upright bass on Nick Drake, Simon & Garfunkel and Cat Stevens records. Half swung, half straight, and harder than it sounds.
Get it for $10 →It sounds simple. It's deceptively hard on upright. Here's how to play it for an hour without your wrist giving out.
Get it for $10 →How I got my sound, and it wasn't by practicing faster. The right hand, the three-player rule, and the Charlie Haden two-feel I learned it from.
Get it for $10 →The bass line from The Choice Is Yours, the one you heard in car commercials and on sports broadcasts growing up. Where Black Sheep found it, and how to play it (with tab).
Get it for $10 →What I think is the greatest two-feel of all time. It barely bothers with the root on beat one, and it rhymes.
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Melodies and solos on upright. Bird's heads with every fingering, Joe Henderson's Inner Urge, Chet Baker's most melodic solo, Paul Chambers' Dexterity up in thumb position, and the Eddie Gomez solo Cole calls the greatest ever recorded on upright.
8 lessons 1 hr 29 min of video 10 downloads
Paul Chambers' solo on Dexterity, played up in thumb position with straight bebop phrasing. Yes, it's legal.
Get it for $10 →What I consider the greatest upright bass solo of all time, plus the thumb position exercise Eddie Gomez showed me himself.
Get it for $10 →Bebop on upright starts in the right hand. Billie's Bounce, with every left- and right-hand fingering written out.
Get it for $10 →The melody to Inner Urge on upright, bridge and all. The bridge goes up into thumb position, and it's easier up there than it is down low.
Get it for $10 →Bird's Confirmation on upright: the open strings that make the head playable, and how to turn the melody into your solo.
Get it for $10 →On the bridge of Bye Bye Blackbird, Paul Chambers plays F major 7 without playing a single F. Speed it up and you'll hear why.
Get it for $10 →Chet Baker's solo on But Not for Me, the one I use to show what melodic really means. It isn't pretty notes. It's something you can copy.
Get it for $10 →Spain is a fingering puzzle on upright. There's exactly one open string to save you, and one rule that gets you through every hard tune.
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The hard ones, and the name is earned. Jaco's Teen Town on upright, Coltrane's Giant Steps solo, Bird's Ko-Ko, the complete Poinciana, rhythm changes in all 12 keys at 400 beats per minute, and a 47-minute session transcribing Havona in real time.
12 lessons 2 hr 25 min of video 11 downloads
Jaco walks and grooves at the same time on Night Passage. It sounds impossible. Most of it sits right under your hand in one spot on the neck.
Get it for $10 →Clifford Brown's solo on Joy Spring, made a little more playable for bass, with fingerings. The bass line's in there too.
Get it for $10 →Coltrane's Giant Steps solo, written out for bass with tab. Watch it played on electric with the notation scrolling, then take the PDF to the woodshed.
Get it for $10 →Rhythm changes in all 12 keys at 400 beats per minute, five choruses each. Plus a written-out bass line in every key, one page per key.
Get it for $10 →Sonny Rollins' Strode Rode, written out for bass. Watch it played on upright with the music scrolling, then take the score to the woodshed.
Get it for $10 →Israel Crosby on Ahmad Jamal's Poinciana, 1958. The complete transcription, and how he changes the line every chorus without losing the groove.
Get it for $10 →Bird's Ko-Ko, written out for bass. Watch it played on upright at tempo, then take the score to the woodshed.
Get it for $10 →My own solo bass piece and the chord shapes behind it. Think like a guitar player and the bass makes sounds you didn't know it had.
Get it for $10 →Watch me transcribe Jaco's solo on Havona from scratch, in real time, on upright. The whole process, mistakes and all, plus the finished transcription.
Get it for $10 →Jaco's Teen Town on upright, at the speed of the record. Two things make it possible, and neither one is practicing harder.
Get it for $10 →Ellington wrote Jack the Bear for Jimmie Blanton. Here's how to play his part in tune and swinging, with every fingering and string written in.
Get it for $10 →The upright bass on Lately isn't an upright bass. It's a synth. Here's how to play that line on a real one.
Get it for $10 →A new legendary bass line every Tuesday, note for note, with a full breakdown, a slowed-down breakdown, a backing track and the chart. For the player who'd rather not wait to pick the next one.
See how the club worksIt helps, but you won't be stuck without it. The PDFs are standard bass clef notation, many with fingerings written in and a few with tab. In the video Cole plays the line on the bass and walks you through it, so you can learn a lot by ear and use the page to check yourself.
Almost all of them are taught on upright, and two are on electric. Every card says which. The notes work on either instrument, and the fingerings are written for the one in the video.
It opens in your Better Bass Lessons member portal as soon as you check out, with the video and the downloads in one place. Log in any time at lounge.betterbasslessons.com.
Start with the player you already love. If you want a walking line to live with for a while, the Walking Like a Legend and Walking Line Vault collections are the place. If you want to solo, go to The Bebop Bassist. If you want a challenge, the Bass Brain Melters earn the name.
Yes. Add as many as you like to your cart and check out once. Each one is $10.
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